While the loop is locked you can still change the pitch, and the filter is applied to the loop output. The audio on the virtual tape remains unchanged however until the freeze is released.
Because in this mode the same bit of recorded audio is simply being replayed, you may notice slight discontinuities if you record your loop with the LFOs in operation.
You will also experience slight anomalies if the delay time is set to more than half the maximum (allocated) delay time (see also 'reverse' below).
Of itself, this is fairly straightforward. However it has a slightly non-intuitive relationship with the tap delay times. In order that changing the tape direction does not produce any nasty artefacts, the position of the tap tape heads has to remain constant. This means that their order is reversed.
For example, say in the simplest case you have the L-L and R-R taps set to 100% time and level, and the other taps set to 0% level, with the master delay time set to 1s. In this scenario, reversing the tape gives you the same result, that is a delay of 1s.
In a more complex example, say the tap times are set to 100%, 75%, 50% and 25%. When the tape is reversed, the tap times become 100%, 125%, 150% and 175%. Note that the display of the tap times values does not change, only their internal interpretation.
Because in reverse delay times can reach 200%, you should try to make sure that the maximum (allocated) delay time is set to at least twice the actual delay time.
In this mode the plug-in will watch for an input signal, and when it detects one it will effectively press 'Tap Rec' on your behalf.
You can adjust the trigger level using the small slider to the left of the input level meter. The small button above the input level meter controls the sensitivity of the meter. When pressed, the range of the trigger level slider matches that of the meter.